Everything is Backwards

Between Two Worlds has this summary of a blog post by Curtis Allen. Curtis Allen, a black man, offers some of his insights regarding black people visiting mostly white churches.

Of particular note are these four challenges to African Americans joining a predominately white congregation.

From Between Two Worlds…

Here’s an outline of part 1:

John G. Stackhouse, Jr. at Christianity Today has made an interesting comparison. He says that many worship bands in contemporary churches actually have a lot in common with the Catholic church before the Reformation: the music was sung by professionals and the congregants sat and watched but didn’t participate. Luther used tavern melodies to write hymns because they were singable. Contemporary worship bands often “perform” their church music in such a way as to make them unsingable to the everyday person. I have made the same argument here. Good worship songs should be (1) singable, (2) playable by the musicians, and (3) have good content.

Stackhouse then argues that the best thing for worship bands to do is to turn the volume down. He offers these five reasons.

1. Cranking up the volume is just a cheap trick to add energy to a room.

2. Turning up the volume on an out of tune singer doesn’t cover up the problem but actually makes it sound even worse.

3. Cheap church speakers can’t handle the pressure!

4. Older people are marginalized.

5. Most people can’t sing along.

Read the whole thing here, it’s pretty funny.

HT: Peter Smith at the Courier-Journal.

I wrote this in about thirty seconds in response to a comment on a previous post. Seriously, time yourself and see how long it takes you to crank out a stanza of rhymed cliches for a worship song.

I feel your presence in this place
Come and fill us in this space
Surround us with your love and grace
Touch us with your warm embrace

Bob Kauflin gives his list (as summarized on Between Two Worlds).

1. Aim to write the next worldwide worship hit.
2. Spend all your time working on the music, not the words.
3. Spend all your time working on the words, not the music.
4. Don’t consider the range and capabilities of the average human voice.
5. Never let anyone alter the way God originally gave your song to you.
6. Make sure the majority of your songs talk about what we do and feel rather than who God is and what he’s done.
7. Try to use as many Scriptural phrases as you can, and don’t worry about how they fit together.
8. Cover as many themes as possible.
9. Use phrases and words that are included in 95% of all worship songs.
10. Forget about Jesus and what he accomplished at the cross.

My favorite moment in all of the Narnia books by C.S. Lewis is the last part of the final book, The Last Battle. The children enter into the “real Narnia” through a narrow door and find that this new Narnia is even more beautiful and more real than the one they had known.

They are constantly invited to come “further up and further in.” At each successive turn, just when they think they had arrived at their destination, they found that something more spectacular was yet beyond and they needed to go even further in to reach it. And so it went, journeying further up and further in, always more elated than the moment before.

From the book:

For them, it was only the beginning of the real story. All their life in this world and all their adventures in Narnia had only been the cover and the title page; now at last they were beginning Chapter One of the Great Story which no one on earth has read, which goes on forever, in which every chapter is better than the on before.

This part of the book really made me long for heaven, because that is what the New Creation (aka “heaven”) will be like. We will be totally fulfilled and joyous and lacking nothing, yet each day will bring greater experiences of that fulfillment in God than the day before. The life we have been living for as many years as we have been alive is merely the title page and cover. Everything you have ever done in your life will amount to little more than a publisher’s stamp in eternity.

So I wrote a song about it and would like to share it with you. We have sung it at my church in Louisville the last couple of weeks and it has gone over pretty well, I think. I hope these lyrics make you long for God in eternity like it does me.

Further Up and Further In
written by Michael Clary and Andy Barlow

Further up and further in
The master bids us come
To see and taste the foreign fruit
The savior’s blood has won

Come and drink your heart’s content
The water without price
Recline and dine, the finest wine;
The blood of sacrifice

[Chorus]
Further up and further in
So much deeper than you’ve ever been
Further up and further in
Into the love that washed away our sin

The Bride adorned from those reborn;
Dressed in her proud array
Ascending glories of the Lamb
Are burning new each day

Clothed in linen, pure and bright,
And crowned in righteousness
The bridegroom loves her, his delight
Eternal love to her express

Perfect Eden; perfect rest
God’s dwelling place with man
The work of Christ has been fulfilled
He sits at God’s right hand

A thousand years now distant past
The joys have just begun
Yet further up and further in
The master bids us come!

Let’s face it. The guys in your band are amateurs at best. What are you to do? How do you transform your ragtag group of musician wannabes to something inspiring and worshipful? Hopefully, you’ve picked up some tips along the way to avoid this, but the long term answer is having useful practices.

Here’s a process that will help you to put together a band.

1. Establish your direction. For the first several months of my church’s existence, our worship time was little better than a guitar guy playing solo coffeehouse style music, because I was all we had. But I knew from the beginning the direction I wanted to go, so I started recruiting early in the congregation for people who had interest. If you want to lead a contemporary band, start looking for the personnel who can accomplish that.

2. Be Patient. It may take you a long time to find the right people, but keep searching and recruiting. They don’t need to be incredible musicians right away. I looked for a percussionist with a good sense of rhythm; not necessarily the best technique. Technique can be taught, but a good sense of rhythm is pretty much something that you’re born with.

Once you find your musicians, take your time in developing the band. I started band practices for months before I actually brought them into a Sunday morning service. This gave me time to work through many of the songs on the set list and for us to get familiar with one another.

3. Pay Attention to Chemistry. Musicians are hyper-sensitive crybabies. I should know, because I am one. Playing an instrument is a very vulnerable form of self-expression, and so musicians need to be coddled a little bit. I always lace any critique with encouragement because I don’t want people to feel crushed and get discouraged.

“You’re playing the wrong chord, but I like your hair today.”

The band needs to be comfortable with one another’s personalities and musical contributions. This takes time, so its best to do it in a pressure-free environment where everyone can play and experiment without the stress of having to perfect it by Sunday. Take a couple of months to practice and have fun before throwing them under the Sunday morning worship bus.

4. Create Ownership. Smaller churches or church plants needs everyone to contribute a little more. I require all band members to maintain their own worship notebook.

Here’s how that works. First, I take all the songs on my set list and make sure that I have typed up lead sheets for all of them, complete with accurate lyrics and chord charts.

Second, I send these Word Documents to everyone to store on their own computers.

Third, on Wednesdays, I send everyone in the band a set list for the coming Sunday. If I needed to change the lead sheets for any songs or update chord charts, I attach the lead sheet for that song in the email. The band needs to make sure that they keep the most recently updated file in a folder on their computer. Make sure everyone assumes responsibility for this.

Fourth, during our Thursday night practices, everyone should have their set list with them and the appropriate songs pulled to practice that night. If someone isn’t prepared consistently, that needs to be addressed. Give them a Joel Osteen smile and tell them, “I really need you to own this and be prepared.”

Fifth, everyone should take detailed notes on their lead sheets. This will save you so many headaches down the road. The goal is to be able to have the notes detailed well enough that the next time you sing that song you don’t have to ask, “when did the bass come in?” or “do I sing harmonies here?” You will have it already written down.

5. Lead Practice with a Plan. A worship leader that knows what’s going on and has a plan will help set everyone at ease. Make sure you communicate your plan to them so there’s no ambiguity. It helps everyone to know that there’s a start time and stop time with some built in flexibility if you want to go long.

Since musicians are often undisciplined, you have to be organized.

Here’s how I structure our worship practices:

10-15 minutes for prayer and scripture reading. This is not a time for tuning or fiddling around with guitars. We will often use this time for prayer requests and general how-are-you-doing-today kind of stuff. We have often had many times where someone is having a problem at work or a medical concern with a family member. In such times, we always attend to the needs of the person before plowing into the practice time. We devote an extended time of prayer to make sure that everyone is spiritually as well as musically prepared to practice.

45-60 minutes for practicing music. Once the band knows the songs on the set list pretty well, it may not be necessary to go over each song. My band will often spend this time working on fine details of a song we particularly enjoy, writing new music, or working on and learning new songs for the future. If your band is taking detailed notes and managing their own worship notebooks, practicing already known songs should be minimal.

Close promptly. Many church musicians have families and other responsibilities, so I always end on time (or early) and clearly establish the fact that practice is over. But then, those who want to stick around and continue to jam and have fun can do so.

6. Set a High Musical Standard and Hold Everyone To it.

This is uncomfortable at times, but if you have good rapport and band chemistry you can do it. Everyone is responsible for his or her own instrument but the band leader is, in a sense, responsible for everyone’s instrument as well. If instruments are clashing or playing to “busy,” the band leader needs to recognize this and help everyone to make adjustments.

7. Lead the Purpose of Worship before leading the Practice of Music.

Worship leading is primarily spiritual before it is musical. It is music of a particular kind, with a particular purpose. For this reason, the worship leader needs to be mindful of the spiritual nature of worship while preparing, practicing, and leading. Worship leaders who are only mindful of the music are no different than pastors who merely prepare speeches. Worship is musical preaching; therefore, practice needs to be reverent and attuned to the fact that you are preparing to lead God’s people in worship.

Michael Foster is a church planter in Cincinnati who recently posted this about a worship band he likes. Many of the thoughts that I’ve been expounding upon at length are summarized on his blog.